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Hand Signed Box Cars (Bones And Unions) By Robert Rauschenberg

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$12,000.00
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44G24215
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HAND SIGNED BOX CARS (BONES AND UNIONS) BY ROBERT RAUSCHENBERG

HIGHEST EXCELLENT QUALITY ORIGINAL FINE ART COLOR MIXED MEDIA

 

 

Artist: RAUSCHENBERG, ROBERT
Title: BOX CARS (BONES AND UNIONS)
Size: 34 X 26.5 INCHES
Year: 1975
Medium: MIXED MEDIA
Edition: 31

ROBERT RAUSCHENBERG RARE FABULOUS BEAUTIFUL COLOR MIXED MEDIA. Hand signed, numbered and dated in yellow felt pen. Mixed media with handmade paper, bamboo and fabric mounted on black board and framed. Published by Gemini G.E.L., Los Angeles.

This item selling in Upscale Art Galleries and Museum galleries when and if it can be found. This item is subject to availability. This is perfect for any elegant home, office, restaurant or place of business.

Robert Rauschenberg (Born: Port Arthur, Texas, 1925)

Robert Rauschenberg is one of the most influential and major artists of his generation and is credited along with Jasper Johns of breaking the domination of Abstract Expressionism. He began his formal art education at the Kansas City Art Institute in 1946. The following year he went to Paris to study at the Académie Julian.

Rauschenberg works are highly sought after and collected by major international museums. Known for his extraordinary innovative multimedia works incorporating collage, assemblage, conceptualist methods, printmaking, Silk-screening, and non-artistic materials which that anticipated later movements such as Pop Art, Conceptualism, and Minimalism. He also pioneered the use of electronics in art.

In May, 1999, "ARTNews" magazine featured him as one of the top twenty-five influential western artists, stating: "His irreverent notions of what an artwork could be gained him the status of an enfant terrible. Rauschenberg pushed the viewer to accept the unexpected."

One of Rauschenberg's first and most famous combines was entitled "Monogram" (1959) and consisted of an unlikely set of materials: a stuffed angora goat, a tire, a police barrier, the heel of a shoe, a tennis ball, and paint. This pioneering altered the course of modern art. The idea of combining and of noticing combinations of objects and images has remained at the core of Rauschenberg's work.

Rauschenberg has been referred to as the Father of Pop Art. His appropriation of images from magazines and newspapers, the feeling of interior and spatial design, and the segments of paint in an abstract style mark him as a pivotal figure in art history. In 1958 Rauschenberg had an exhibition in New York City that catapulted him to prominence, and his paintings soon entered the collections of every large museum in America and abroad. In January 1998, the Guggenheim Museum launched a major retrospective covering his career of more than 50 years pushing him into the forefront of the minds of collectors, historians, and the public all over the world.

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